![]() Protest DC || Eats || Jobs || Events || Housing || Interns || Marketplace || CirclejerkDC || Beer || Vegan/Vegetarian DC || DC Pokemon Go || DC & Baltimore r4r || DC Parents || DC Over 30 || New DC Girls || District History Meme-free, Tailor-free, Tattoo-free, and Cannon-free since 1/10/23. Best Scuba Diving in Monterey, CA 93940 - Monterey Bay Scuba, Beachhopper II Dive Charters, Monterery Blue Diving, Dive To Survive Scuba, Safari Monterey. Street parking is readily available and is free after 6:00pm A parking garage is located on N. NoVA || Maryland || Baltimore || MoCo || PG || Anne Arundel || Silver Spring || Georgetown University || UMD || American || GWU || GMU || Gallaudet || Rockville || Howard University || Catholic UniversityĭC Defenders || Spirit || Caps || Nats || Commanders || Wizards || DC United || Mystics || Justice || Running! || Bicycles! || Motorcycles! Browse a full list of scuba diving centers, dive shops, scuba certification. Arlington Rooftop Bar & Grill is located conveniently 1 block from Courthouse Metro station and 6 blocks from the Clarendon metro station. Reporting drug use for security clearances Interested in holding an AMA? Message us! Blue Planet is a different kind of scuba diving organizationaimed at providing the best education and travel experiences to divers in Washington, DC while harnessing the excitement and adventure of scuba to help protect our fragile oceans. For an explanation, please see this post. No editorialized titles (if you post an article, use the title of that article)Ĭommon questions must not be easily answered by recent threads, the wiki, or a Google searchĪll activity on posts about crime are subject to increased moderation. ![]() Our center is located in the luxurious Hotel Dubrovnik Palace in Dubrovnik, surrounded by impressive cliffs, blue sea and various excellent diving sites. Posts inquiring about housing or neighborhoods should be asked in the "Casual Questions" megathread Diving center Blue Planet is the southernmost PADI Five Star Instructor Development Dive Resort in Croatia. cityscape, sky, building) photo posts are restricted to Fri/Sat/Sun and holidays only ( reasoning here and here) No advertisement/buying/selling/job/solicitation/survey posts Blue Planet is a different kind of scuba diving organization aimed at providing the best education and experiences to divers in the Washington, DC area and beyond, while harnessing the excitement and adventure of scuba diving to help protect our fragile oceans. STICKY: Moving to DC? | Visitor's Guide | FAQ | Rules OFFICIAL VISITOR'S GUIDE Rules: Blue Planet Scuba 119 followers on LinkedIn.
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Powers and Abilities: Alefinite Xtreme Beyond True Omnifinity-Absolute Omnipotence, Xtreme Beyond True Omni-Infinite Arsenal(Can access all abilities, powers and immunities etc. ![]() Name: Rikaritta "Rika" Aries/Rosarita "Rosita" AriesĪge: 11 (Sakura Wars V Game), 12 (Sakura Wars NY OVA), 13 (Battle of Tokyo, 10 years before the story of Shin Sakura Wars)Ĭlassification: Supreme Master Gunslinger She may be cheerful, but piss her off and you will know her gunslinger skill are not to be underestimated. ![]() Despite that, she truly loves Niccolo and wants to protect it if it gets in danger. She has a pet weasel named Niccolo (Noko in the japanese version of SW5), who she considers her "Plan B" should she ever get stuck in a desert or in a similiar situation. She also really enjoys eating, mostly meat, and can even cook pancakes that she learned from her late father. Rikaritta "Rika" Aries (リカリッタ・アリエス, Rikaritta Ariesu), also known as Rosarita "Rosita" Aries in the English-language version of Sakura Wars 5, is a member of the New York Combat Revue's Star Division. ![]() The products of the components of lo and hi allow me to make factors that are 1.0 in only one quadrant of the RGB cube, and by doing that I'm giving a different color from the palette to each quadrant. And lo will be the opposite ( 0.0 on the components where hi is 1.0, and viceversa). Here hi will have components of value 0.0 or 1.0 depending if the components of input are lower or higher than 0.5. Return vec4(output.rgb, step(0.5, input.a)) Vec3 output = palette.rgb * lo.r * lo.g * lo.b It looks like this: vec3 hi = step(vec3(0.5), input.rgb) I decided to use the corners of the RGB cube as reference (so, up to 8 colors), and apply a different color from the palette to each quadrant. Since we are interpolating the colors after the palette swap there should not introduce artifacts.īy the way, for testing this I came up with a different palette swap approach. Then we apply simple bilinear interpolation using the result as weights: vec4 output = mix(mix(lox_loy, hix_loy, wuv.x), mix(lox_hiy, hix_hiy, This code assumes sharpness is a uniform float, and I remind you that wuv is a vec2. Wuv = norm * vec2(pow(norm2.x, sharpness), pow(norm2.y, sharpness)) + 0.5 Now we are going to apply the sharpen algorithm fromīeefster09 that you linked, but only to the fractional part of the pixel coordinates: vec2 norm = (wuv - 0.5) I start with fuv, but since fuv is in pixels we need to multiply by pixel_size: fuv * pixel_sizeĪnd I want to offset it by whole pixels, so I would something like this: fuv * pixel_size + vec2(off_x, off_y) * pixel_sizeĪs you can see pixel_size is a common factor, so we rewrite that: (fuv + vec2(off_x, off_y)) * pixel_size We are going to do bilinear filter later.įor reference, this is how you would query at uv: vec4 color = palette_swap(texture(TEXTURE, uv)) Īnd I'm making new coordinates to query the texture (i.e. I'm also assuming nearest-neighbor filtering. This would allow you to keep the approach you are currently using, or change if you need. I'm, of course, assuming you have a palette_swap function that takes a vec4 and outputs a vec4. Vec4 hix_hiy = palette_swap(texture(TEXTURE, (fuv + vec2(1.0, 1.0)) * pixel_size)) Vec4 hix_loy = palette_swap(texture(TEXTURE, (fuv + vec2(1.0, 0.0)) * pixel_size)) Vec4 lox_hiy = palette_swap(texture(TEXTURE, (fuv + vec2(0.0, 1.0)) * pixel_size)) We are going to query the four pixels around the uv and apply pallet swapping to the colors we get: vec4 lox_loy = palette_swap(texture(TEXTURE, (fuv + vec2(0.0, 0.0)) * pixel_size)) Here I'm assuming uv goes from (0.0, 0.0) to (1.0, 1.0), and pixel_size is the inverse of the size of the texture in pixels. Split the uv coordinates into integer and fractional and pixels: vec2 fuv = floor(uv / pixel_size) This is what I have been able to come up with: I'll be writing GLSL because I'm more familiar with it, and it is easier for me to test. I am still very much a novice when it comes to shaders, so any help here would be deeply appreciated! In other words the two aforementioned techniques seem to be completely incompatible with one another, yet I really need both of them.Īs far as I can tell the logical solution would be to perform the palette-swapping and similar effects on the texture before scaling and filtering it, however I have no idea of how to actually do this from within a shader, and what the performance implications of doing so would be. The problem is of course that you cannot do palette-swaps on a texture with bilinear filtering because the colors are all blended together. Here and here are a couple of open-source shaders using this technique. Luckily there is a way of scaling pixel-art that looks much smoother without taking away the crispness, which is to use a texture with bilinear filtering enabled but only use interpolated colors on the boundary between pixels. However, in the game there is quite a lot of floating-point camera scaling and movement going on, resulting in choppy-looking visuals when using nearest-neighbor filtering. (These effects are used in a very dynamic way, which is why they are done using a shader instead of, say, a separate texture-atlas for each color palette). Simple stuff as long as you use nearest-neighbor filtering on the texture. Most of these effects work by comparing the color of a texture coordinate with a reference color, and if they match then the color is swapped for another. I am creating a pixel-art game in MonoGame, and have written a shader to perform various effects on a sprite when rendering it, such as performing palette swaps, highlighting outlines, etc. ![]() My mug’s arrival within reach was preceded by the caffeine aroma hit I craved, re-sparking dulled senses. While I set down my knife roll nearby, she slowly slid a cappuccino across the antique highly polished wooden counter with a deserved gravitas, understanding its true value. “It’s already loaded up and ready to go, hun.” “Hi Sam, I’ll have an extra Vicenzi with that, please. When I stepped outside, breathed in the semi fresh air of a dirty city, it felt good to be free.Ī wave of jubilant relief propelled me down the street and through the doors of Bean Cafe where my best-friend and fellow food connoisseur, Samantha Riley, sprinkled a chocolate love heart atop my cappuccino. I knew she wouldn’t but it was pointless explaining. “Be careful wafting your fingers so close to sharp objects, Judy.” ![]() ![]() My former good friend bowed her head and leaned wearily across the pass waving a hand dismissively at me. It was true that we’d replayed the walk out quarrel scene a few times, but I knew this moment was different because I felt no anger. You’re too busy kissing wealthy asshole diners to see what a disaster you’ve hired.” “From him? He can’t even name the five classic French mother sauces, never mind make them. When I looked back at Judy, my resting bitch face cracked and I laughed like a hyena. I gawked at her, turned slightly and glanced at my rival where he hid behind a sous vide. “You just can’t stand having the competition.” I can’t watch your useless head chef fuck up one more steak. “You’ll be crawling in here tomorrow, Carla, begging me to take you back.” If she wanted a showdown in front of staff that stopped trying long ago, it was fine by me. When Judy strode into the kitchen from delivering another average plate of food to an overpaying customer she looked furious, but I didn’t care. I was standing my ground on a principle that any self respecting chef or discerning diner would understand. When I rolled up my steel kitchen knives at Chez Judy, NY, for the final time, I felt utterly relieved. At twenty eight I was young enough to reinvent myself, but this version must work out or I’d become a forever evolving cliche romance story that never got published. I’d have to go it alone because my siblings and friends were employed, shacked up with significant other’s or looking for one or both. My father’s vision for me as a great chef could be realised. It was high time to try something new because so far, nothing I’d planned had worked out as intended.Ī new backpacking itinerary was long overdue and Italy was finally on the cards. My slow motion car crash relationship finally became a terminal wreck, and a reckless departure from a shitty job had cleared my schedule. He prodded gently because dad was a nurturer, but in our front porch evening revues of one another’s day, he urged me to travel and become the great chef he claimed was within me.įor too long I’d shelved the missing link to my adventure, opting instead for a stable job, trendy apartment and a relationship, believing everyone else’s perfect life as they described it on social media. When reminiscing his life and chef’s journey, dad endlessly declared my decision as definitive evidence of flawed judgement. Having dropped Europe entirely from my university gap year life affirming itinerary, I’d missed out Italy, something my father rued. You could probably pack it into another bag so that it was semi-rigid.I’d been long distance backpacking before but never alone. The new rules on carrying liquids and gels make it pretty much a no-go as a carry-on. The family size personal organizer is great, if you're driving. The really large ones fit a very well equipped dive trip for two people, without the tanks, into one of them. ![]() (This is for two kids - plus assorted water bottles, gaiters, and miscellaneous junk.) You can also pack pretty much an eight day vacation for a large teenage boy wearing clean jeans, t-shirt and button downs every day in one of these. We have two large adventure duffles - they make pretty good ski boot and helmet bags - and when they're packed to the gills, they can be pretty heavy. I can tell you that our four rolling bags neatly fill one Southwest overhead bin. My dh has a slightly larger rolling bag from Bean's which still meets the carry-on guidelines. If you need fancier clothes, jeans or winter clothes for the way home, you might want a large. You can do a 5 or 6 day week in them if you're wearing t-shirts and shorts. The mediums work fine if you're a careful packer. It looks nicer but again, go with wheels. We also have one of the sportsman's duffles. We have three of the rolling adventure duffles in the medium size and one without wheels. We live near several outlet stores so it makes it possible to accumulate them without breaking the bank. OK, I might admit that we have too many pieces of LL Bean luggage. ![]() ![]() You can add sound to specific path steps that will play only when you reach the chosen path step. They will stop playing when you move to the next path step. Watch this video tutorial will show you how to add a voiceover to a path step. On the left sidebar, click the thumbnail for the path step you want to add sound. Then select Add Voice-Over to Path Step from the “Insert” menu. You can also right-click on the path step's thumbnail and select Add Voice-Over to Path Step. Once you select your sound file, you will see it start to upload. You can stop the upload before it has completed using the Cancel button. When it is complete, you can click the triangle to play the track, or click Done to continue editing your prezi. To remove sound from a path step, select the path step thumbnail from the left sidebar and click on the sound's filename. The sound will play every time you reach the path step when in “Present” Mode. If you want to replace the sound file you have assigned to a path step with a different file, right-click on the thumbnail and select Replace Voice-over on Path Step. To see the full name of the sound file that you have attached to a path step, hover over the name of the track as it appears at the top of the thumbnail in the left sidebar. Once you add sound to a path step, you’ll see a play button and mute control appear as part of the playback interface. You can use these to play your prezi and mute the sounds you have inserted. If the problem is not cured and the private key remains non-exportable, continue. Starting a command prompt and enter the following command, as it mightĬure your problem: certutil -repairstore my 693867F321B5764E324F3FB8C5CBCE03CDA3C2A3 In this sample the thumb is 693867F321B5764E324F3FB8C5CBCE03CDA3C2A3.Īt this point, depending on the root cause of your problem, we suggest We located the Thumbprint of the certificate with the non-exportable private key: NOTE: THE PLACE THAT YOU IMPORT CERTIFICATES IS IMPORTANT! Using mmc we imported both certificates in Local Computer\Personal. If it fails, then your only option would be to create a CSR with exportable private key and re-issue your certificate and re-configure your domains. If it succeeds then your will get your private key exported. There are guides on the internet that the following process might work without the old certificate but in our case it did not, possibly because the certificate was re-issued.ĭISCLAIMER: the following process is not intrusive on your computer and requires a VM to work with. ![]() ![]() Luckily we had a previous certificate available with exportable private key to work with. The certificate had recently been re-issued using the old CSR but somehow the new certificate’s private key was marked as non-exportable, while past certificates had exportable private keys. We realized that the certificate had lost its ability to export the private key. We needed to export the private key of our IIS7 SSL certificate in order to import it in a node.js HTTPS project operating on a different port under the same domain. Recovering a certificate where the private key is marked as non-exportable ![]() No offer to buy securities can be accepted, and no part of the purchase price can be received, until an offering statement filed with the SEC has been qualified by the SEC. No money or other consideration is being solicited and, if sent in response, will not be accepted. An affiliate of Public may be “testing the waters” and considering making an offering of securities under Tier 2 of Regulation A. For more information on risks and conflicts of interest, see these disclosures. The issuers of these securities may be an affiliate of Public, and Public (or an affiliate) may earn fees when you purchase or sell Alternative Assets. Alternative Assets purchased on the Public platform are not held in an Open to the Public Investing brokerage account and are self-custodied by the purchaser. These investments are speculative, involve substantial risks (including illiquidity and loss of principal), and are not FDIC or SIPC insured. “Alternative assets,” as the term is used at Public, are equity securities that have been issued pursuant to Regulation A of the Securities Act of 1933 (as amended) (“Regulation A”). ![]() Brokerage services for alternative assets available on Public are offered by Dalmore Group, LLC (“Dalmore”), member of FINRA & SIPC. Additional information can be found here.Īlternative Assets. Apex Clearing Corporation, our clearing firm, has additional insurance coverage in excess of the regular SIPC limits. Securities products offered by Open to the Public Investing are not FDIC insured. This is not an offer, solicitation of an offer, or advice to buy or sell securities or open a brokerage account in any jurisdiction where Open to the Public Investing is not registered. Open to Public Investing is a wholly-owned subsidiary of Public Holdings, Inc. 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